s t u m p

artworks and studio practice

2d

painting is dead – long live painting

drawing is dead – long live drawing

star see survey

Star study is a diagram to read the night sky in 3d [spatially] using the southern cross [crux] constellation.

The Southern Cross is an asterism formed by the brightest stars in the constellation Crux.
It is the most familiar star pattern in the far southern night sky. The asterism carries cultural meaning and significance in many countries in the southern hemisphere. In Ptolemy’s time [circa 100 – 165 CE], Crux was part of the constellation Centaurus. It was visible to the Ancient Greeks, but by 400 CE, the Earth’s axial precession lowered the Southern Cross below the horizon for most of Europe – making it unseen north of about latitude 26 degrees north.

Composed of five stars it is the smallest constellation in the sky. The stars are:
Gacrux (Gamma Crucis)
Imai (Delta Crucis)
Ginan (Epsilon Crucis)
Acrux (Alpha Crucis)
Mimosa (Beta Crucis)

The Southern Cross has a key role in navigation because it contains two first magnitude stars [Acrux and Mimosa] and Acrux with Gacrux point in the direction of the southern celestial pole. Acrux is the 13th brightest star in the sky and is a double star [binary star], that orbits each other and appear as one. Mimosa is the 20th and Gacrux the 25th brightest star in the sky. Generally the sequence of star brightness is clockwise from Acrux, however, the star see survey project records the perceived brightness sequence, since it is expected to vary.

Perception is complex. The star see survey project is an activity to see the night sky in three dimensions using the southern cross constellation as a proto test of the theory and to refine the tools [the diagram and the telling of the story]. The invitees are tasked to place themselves in a dark environment [zero or low level of light pollution], taking the narrative provided and recording the results. The shift from seeing the night sky as a dome of stars on one plane [graphically] to perceiving/imagining the stars in three dimensions [spatially] is a reformation.

girl holding drawing against the night sky
star see survey april 2025 wedge island western australia
night sky and diagram at wedge island
star see survey april 2025 wedge island western australia. Night sky view and diagram. Above mages courtesy Brittney Gibbs
drawing of southern cross by andrew stumpfel
star study six indigo ink on paper 568mm h x 443mm w 11042025
working drawing of the southern cross
star study one, two and five indigo ink on paper 042025
encaustic painting of southern cross stars
star see study [one of three] 042025 encaustic painting of the southern cross constellation pigment, glass ground, jarrah charcoal, calcium carbonate on ply 648mm h x 418mm
encaustic painting of stars at night by andrew stumpfel
star see study [three of three] 042025 encaustic painting of the southern cross constellation pigment, glass ground, jarrah charcoal, calcium carbonate on ply 637mm h x 405mm

alcove

Located 34.8320°N 67.8267°E, the two Buddhas of Bamiyan were c.570 CE and c.618 CE statues in the Bamiyan Valley of Afghanistan – the time when the Hephthalites ruled the region. On 2 March 2001, the Taliban began destruction of the statues that lasted several weeks. The alcove remains.

Located 22.6175°S 117.1577°E the 46,000+ year old Juukan Gorge rock shelters were permanently destroyed on 24 May 2020 as part of mine expansion of Brockman 4. In 2014, the site was classified as ‘cleared’ for mining and removed from relevant risk registers, with ministerial consent under Western Australian legislation. Prior to its destruction, the site had been excavated in 2014 with the remains/artefacts stored at Rio Tinto Dampier office, in north-west Western Australia. The value of iron ore accessed from the area following the blast was AUD $135 million [2021].

The notion of alcove, recess, staging and protection [harbour] is pondered where the overarching [philosophical] structure becomes the fount of a work. A work does not go in, it comes out of that structure.

drawing study for sculpture
ink drawing for alcove sculpture study by andrew stumpfel
alcove sculpture study rotring ink on paper [collage] Sheet size 568mm h x 443 w. Series of five. 01-050432025.
ink drawing of alcove by andrew stumpfel
study for sculpture by andrew stumpfel
ink drawing study by andrew stumpfel
set of ink drawing by andrew stumpfel 2025
alcove sculpture study rotring ink on paper [collage] Sheet size 568mm h x 443 w. Composite view of four pieces in the series. 01-050432025.
encaustic painting study for a sculpture
alcove [one] series early 032025 sculpture and materials study. Encaustic painting on ply. Western Australian ore, pigment, calcium carbonate and kaolin in wax. 510mm x 334mm x 15mm [d]
encaustic painting of an alcove or shrine
alcove [two] series late 032025 sculpture and materials study. Encaustic painting on ply. Western Australian ore, pigment, calcium carbonate, glass ground and kaolin in wax. 572mm x 374mm x 16mm [d]

airmaker

encaustic painting of plant
airmaker series 122024 [study of something valuable] encaustic painting on ply. jarrah charcoal, pigment. calcium carbonate and synthetic gold foil in wax. 350mm x 265mm w
paining by andrew stumpfel
signal 122024 encaustic painting on ply. jarrah charcoal, pigment and synthetic gold foil in wax. 392mm x 265mm w
encaustic painting of oxygen maker
signal series 122024 encaustic painting on ply. jarrah charcoal, pigment and synthetic gold foil in wax. 350mm x 265mm w 122024
airmaker series 03092024 [stromatolite] plaster, ores, jarrah charcoal, glass and pigment in wax 708mm h x 455mm w
airmaker 03092024 [stromatolite] plaster, ore, jarrah charcoal, glass and metal flake in wax 916mm h x 606mm w
airmaker 06082024 encaustic painting. pigment, jarrah charcoal, glass ground in wax on ply 767mm h x 528mm w

cell study

scutoid 27072024 epithelial cell. ore, eggshell, jarrah charcoal and pigment in wax 900mm x 600mm
cell shape study 082024 encaustic painting 900mm h 600mm w ore, pigment, eggshell and jarrah charcoal in wax
alice cummins viewing works at precursor exhibition 2024
alice cummins and the precursor exhibition in 2024

encaustic on canvas: reflection upon the first forms of cellular life that required self-assembled membranes – prior to LUCA

cell membrane study 082024 encaustic painting 900mm h 600mm w ore, glass, jarrah charcoal and pigment in wax
cell membrane study
cell wall study encaustic on volatile canvas [many iterations 1990-2023] 655mm x 365mm
encaustic painting of LUCA
LUCA 2024 – 032025 study encaustic painting 767mm h x 512mm w x 38mm d Western Australian ore, glass grounds, jarrah charcoal and pigment in wax

dog [otto] drinking stars

painting by andrew stumpfel of a dog drinking stars
dog [otto] drinking stars 012025. Encaustic on ply. Pigment, ore, glass and jarrah charcoal in wax. 1220mm h x 1755mm w x 12mm d

gestalt series, indigo dye on paper

gestalt series. Indigo dye on paper, 022024. 405mm h 335mm w.
gestalt series. Indigo dye on paper, 022024. 475mm h 285mm w.

LUCA series, indigo dye on paper

painting with indigo dye
LUCA series painting. indigo dye and suspension ink on paper. 122023
painting using indigo dye
LUCA series section. Indigo on paper, early 122023. Nominal 200mm width

encaustic

pigment and wax

encaustic materials study 2023. 210mm [h] x 297mm [w]
desire lines series 2022. Encaustic on ply with pigments: glass ground from cleaver street, western australia and lamp black. 332mm [h] 233mm [w]
fire study encaustic 2023. Jarrah charcoal and ash, glass grounds and pigments on ply. 712mm h x 582mm w
masked figure encaustic, 2023. Jarrah charcoal, glass grounds, egg shell and pigments on ply. 370mm h x 250mm w
masked figure encaustic, 112023. Jarrah charcoal, glass grounds, egg shell, metal flake and pigments on ply. 402mm h x 288mm w

bad imaging

bad imaging
bad imaging series number 9 348mm h x 225mm w 112023

acrylic, gesso, pigment and oil on glass

artwork area 920mm h 608mm w
gallery frame black 1140mm h 820mm w

1990 – work in progress
series of 12 heads, 5 complete, 1 destroyed in flooding event and 1 in forklift mishap.

oil and acrylic/gesso on glass [head 6 contains salt]
artwork area 920mm h 608mm w
gallery frame 1140mm h 820mm w

andrew stumpfel painting stusha studio stump Hinterglasmalerei head gesso and salt [hygroscopic]
head [6 of 12]
andrew stumpfel painting stusha studio stump Hinterglasmalerei head 1/12
head [1 of 12]
head on glass painting
head [3 of 12]
head on glass painting
head [2 of 12]
head on glass painting

ephemera halo drawings at 39 studio. Foamed concrete dust, broom/brush, rake and vacuum

stump stumpfel stusha halo drawing
halo drawing 6/20 2010
stump stumpfel stusha halo drawing
halo drawing 9/20 2010
stump stumpfel stusha halo drawing
halo drawing 12/20 2010
stump stumpfel stusha halo drawing
halo drawing 19/20 2010
stump stumpfel stusha halo drawing
halo drawing 8/20 2010
thomas dexter shaw assisting
halo drawings assist: thomas dexter shaw
andrew stumpfel chalk blackboard chalkboard on canvas
c 1990 chalk, blackboard paint [talc, acrylic, titanium dioxide] and cement on canvas
380mm w x 550mm h
photography stump stusha studio
kensington streetscape
streetscape kensington, western australia 2012
kensington story group three pieces at the banksia street cafe from a herbarium of kensington g­­­­­ardens andrew stumpfel stump stusha
 2007
kensington story group
banksia street cafe
from a herbarium of kensington g­­­­­ardens
2007
andrew stumpfel herbarium page
andrew stumpfel stusha studio stump encaustic painting
heist paintings encaustic 1/3 2018 [the best paintings that ever were]
andrew stumpfel stusha studio stump encaustic painting
heist paintings oil 2/3 2018
andrew stumpfel stusha studio stump encaustic painting 3/3
heist paintings encaustic 3/3 2018
squid ink marks where they are landed on the concrete esperance jetty
squid ink, esperance jetty 2000
stump tom vanderveen stumpfel
2012 mono print
nest series mono print with tom vanderveen permaset onto paper 2012
gouache drawing of kurt weill
kurt weill drawing gouache on paper 440mm x 290mm 1986
andrew stumpfel stump stusha studio peaceful bay 2003 rotring ink
sky peaceful bay perforation + rotring isograph [shellac and soot ink] onto Fabriano Artistico 2003

“…see the Southern Cross? It is not flat, like on the flag. See the brightest star – at the foot of the cross? and then the two less bright – the top and left stars and then a lighter star – and then the palest. Now pull the brightest star closer towards you and the paler stars further away to make it 3d. If you can do that, then do it to the whole night sky. It is being under hung lights. Once you see it you cannot go back to seeing the stars as a painted dome over your head”

an explanation to thomas [11],

masked figure acrylic, pigment and gesso on glass
masked figure c1990
masked figure acrylic and oil on glass
masked figure acrylic and oil on glass
cyclops
acrylic on glass
figure breathing on a figure
acrylic on glass
andrew stumpfel stusha studio stump
lawrence wilson art gallery
horse with figure oil on canvas [collection of denise and craig marshall]

andrew stumpfel stusha studio stump encaustic on canvas


andrew stumpfel stusha studio stump encaustic on canvas
vessels encaustic on canvas 1998

Comments are closed.