s t u m p

artworks and studio practice

exhibition

precursor

Gallery Central [NMTafe, october – november 2024]. Precursor evolved from an 2023 exhibition expression of interest to be a collaboration between soula vouyoucalos-veyradier, alice cummins and andrew stumpfel. It includes the work of andre lipscombe, peter bowles, shiloh perry. Precursor was a fast exhibition devised for the student body that staged objects/artefacts from an arts practice at the newcastle street collective. It gave view to what commissioned work and an on going arts practice looks like.

The exhibition investigated the commonwealth of factors in and around practice and the precursor environment around artforms/process and application/product/event/performance.

Images: soula vouyoucalos-veyradier

gallery view
exhibition view
cabinet of wonder
gallery view
andrew stumpfel NGA sculpture archive
parts hotel in gallery
paintings in gallery
paintings in gallery
faux glass eggs light projection in gallery

faux glass projection of digital render [6:02] 2022 – 2024. Line art created from drawn and found images with hdr images from western australian locations as ‘environment’
dichroic glass

performance/interaction  

A series of interactions over six sessions by alice cummins. Documented on 13 november 2024.

Alice Cummins is an Australian dance artist with a 40 year history of contemporary performance making. Her approach generates a radical philosophy and practice that informs her work as a performance maker and educator influencing artists across diverse disciplines of dance, theatre, writing, sound, visual art, sculpture and film making. In the precursor exhibition record document, andrew stumpfel wrote:

‘The demonstration of ineffable in such a succinct way was a shock. The elements included the building of a mental space [where the viewer is present to high level concentration] and where there is an investigation of the human scale: that gap that matches that arm span, that space is that foot width. But. To reverse engineer the episodes and to use words only gets you so far.’ 

Gregory Pryor wrote a response to a previous Alice Cummins piece [Subterranean Knowledge: terra, Holmes à Court Gallery, Perth, January 19 2024]:

‘I couldn’t help feeling that this performance was also a gesture of gratitude by a performer thankful for having spent a long lifetime of movement on the earth. By repositioning themselves underground, they could detect which of these movements linger, or even lodge under the surface, to one day find union with other enduring movements of people across the earth.’
 

soma interaction with andrew stumpfel artworks by alice cummins
soma interaction by alice cummins
alice cummins soma interaction with andrew stumpfel artwork
alice cummins soma interaction with andrew stumpfel bone artwork

precursor interaction/performance by alice cummins 13 november 2024. Interaction shot by fionn mulholland [05:49], with bone [andrew stumpfel 2024 eggshell and glass ground in wax [encaustic] on an autoclaved aerated cement, lime and gypsum armature. 150mm h x 440mm w x 130mm d. NMTafe collection
andrew stumpfel doing artist talk in 2024
Precursor public program included a walk-through of Gallery Central with artist, andrew stumpfel Tuesday 5 November 2025. Image: Brendan Hibbert.
overhead shot of exhibition day one
overhead shot of exhibition day two
overhead shot of precursor exhibition day three
precursor environment change over six performance periods. The interaction leaves traces that change the space for another iteration. For the audience that space has changed and for Alice that response has changed. 

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