dog [otto] drinking stars 102024. Encaustic on ply. Pigment, ore, glass and jarrah charcoal in wax. 1200mm x 1750mm x 15mm
airmaker
airmaker series [study of something valuable] encaustic painting on ply. jarrah charcoal, pigment. calcium carbonate and synthetic gold foil in wax. 350mm x 265mm w 122024
airmaker series [stromatolite] plaster, ores, jarrah charcoal, glass and pigment in wax 708mm h x 455mm w 03092024
airmaker [stromatolite] plaster, ore, jarrah charcoal, glass and metal flake in wax 916mm h x 606mm w 03092024
airmaker encaustic painting. pigment, jarrah charcoal, glass ground in wax on ply 767mm h x 528mm w 06082024
cell study
scutoid epithelial cell. ore, eggshell, jarrah charcoal and pigment in wax 900mm x 600mm 27072024
cell shape study encaustic painting 900mm h 600mm w ore, pigment, eggshell and jarrah charcoal in wax 082024
encaustic on canvas: reflection upon the first forms of cellular life that required self-assembled membranes – prior to LUCA
cell membrane study encaustic painting 900mm h 600mm w ore, glass, jarrah charcoal and pigment in wax 082024
cell wall study encaustic on canvas 655mm x 365mm 1990-2023
cell wall study series encaustic on canvas 225mm x 225mm 302023
cell wall study series encaustic on canvas 400mm x 250mm 302023
gestalt series, indigo dye on paper
gestalt series. Indigo dye on paper, 022024. 405mm h 335mm w.
gestalt series. Indigo dye on paper, 022024. 310mm h 445mm w.
gestalt series. Indigo dye on paper, 022024. 475mm h 285mm w.
LUCA series, indigo dye on paper
LUCA series. Indigo dye on paper, early 122023. 446mm width.
LUCA series painting. indigo dye and suspension ink on paper. 122023
LUCA series section. Indigo on paper, early 122023. Nominal 200mm width
encaustic
pigment and wax
encaustic materials study 2023. 210mm [h] x 297mm [w]
desire lines series 2022. Encaustic on ply with pigments: glass ground from cleaver street, western australia and lamp black. 2021 332mm [h] 233mm [w]
desire lines series 2022. Encaustic on ply with pigments: glass ground from cleaver street, ash and lamp black. 2021 505mm [h] 505mm [w]
vague anomaly series [reflection on LUCA and LECA] 2023. Encaustic on ply with pigments: glass ground from gleadow street, tasmania, charcoal, ash and oxides. 2023 375mm [h] 258mm [w]
fire study encaustic 2023. Jarrah charcoal and ash, glass grounds and pigments on ply. 712mm h x 582mm w
masked figure encaustic, 2023. Jarrah charcoal, glass grounds, egg shell and pigments on ply. 370mm h x 250mm w
masked figure encaustic, 112023. Jarrah charcoal, glass grounds, egg shell, metal flake and pigments on ply. 402mm h x 288mm w
bad imaging
bad imaging series. Indigo dye on paper early 122023. Nominal 200mm width
bad imaging series number 9 348mm h x 225mm w 112023
bad imaging series number 2 340mm h x 215mm w 112023
acrylic, gesso, pigment and oil on glass
artwork area 920mm h 608mm w gallery frame black 1140mm h 820mm w
1990 – work in progress series of 12 heads, 5 complete, 1 destroyed in flooding event and 1 in forklift mishap.
oil and acrylic/gesso on glass [head 6 contains salt] artwork area 920mm h 608mm w gallery frame 1140mm h 820mm w
head [6 of 12]
head [1 of 12]
head [3 of 12]
head [2 of 12]
ephemera halo drawings at 39 studio. Foamed concrete dust, broom/brush, rake and vacuum
halo drawing 6/20 2010
halo drawing 9/20 2010
halo drawing 12/20 2010
halo drawing 19/20 2010
halo drawing 8/20 2010
halo drawings assist: thomas dexter shaw
c 1990 chalk, blackboard paint [talc, acrylic, titanium dioxide] and cement on canvas 380mm w x 550mm h
streetscape kensington, western australia 2012kensington story group banksia street cafe from a herbarium of kensington gardens 2007
heist paintings encaustic 1/3 2018 [the best paintings that ever were]
heist paintings oil 2/3 2018
heist paintings encaustic 3/3 2018
squid ink, esperance jetty 2000
nest series mono print with tom vanderveen permaset onto paper 2012
kurt weill drawing gouache on paper 440mm x 290mm 1986
sky peaceful bay perforation + rotring isograph [shellac and soot ink] onto Fabriano Artistico 2003
“…see the Southern Cross? It is not flat, like on the flag. See the brightest star – at the foot of the cross? and then the two less bright – the top and left stars and then a lighter star – and then the palest. Now pull the brightest star closer towards you and the paler stars further away to make it 3d. If you can do that, then do it to the whole night sky. It is being under hung lights. Once you see it you cannot go back to seeing the stars as a painted dome over your head”
an explanation to thomas [11],
masked figure acrylic, pigment and gesso on glass
masked figure c1990
masked figure acrylic and oil on glass
masked figure acrylic and oil on glass
acrylic on glass
acrylic on glass
horse with figure oil on canvas [collection of denise and craig marshall]
![andrew stumpfel painting stusha studio stump Hinterglasmalerei head gesso and salt [hygroscopic]](http://stumpfel.com.au/wp-content/uploads/2023/07/andrew-stumpfel-stusha-studio-portrait-of-sweating-head-painting-series-of-twelve-men-on-glass-6.jpg)
